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Roof of Hell

by Roger Alidade

275 pages; quality trade paperback (softcover); catalogue #02-0387; ISBN 1-55369-574-7; US$25.50, C$29.15, EUR21.00, £15.00

Eric, a successful corporate geophysicist faces a moment of truth about the meaning of life when he decides to strike out on his own to search the treacherous waters around the Aleutian Island known as the 'Roof of Hell', for a legendary WWII Japanese submarine filled with treasures.


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About the Book

Eric, a successful corporate geophysicist, faces a moment of truth about the meaning of his life when he decides to strike out on his own to search the treacherous waters around the Aleutian Island known as the "Roof of Hell", for a legendary WWII Japanese submarine filled with treasures.

The legend of this renegade sub surfaced when an ancient small jade Buddha statue with sparkling emerald eyes is discovered in the cooler of a fishing boat in the far Aleutian Islands, almost forty years after WWII has ended. The statue soon falls into the hands of Naomi, a successful lawyer in New York. Naomi finds her Japanese past shameful, and has bitterly tried to ignore it all her life. The statue jars her completely with a peak at a truth about her heritage and family she never dared think about. Learning that the statue came from a renegade Japanese sub filled with other looted treasures, she hires Eric, a geophysical consultant, to help her find that sub.

Eric, gripping the seat of the single engine plane that roller coasters its way out the Aleutian Island chain and into Dutch Harbor, Alaska, is shocked to learn that he is not just on a routine salvage job in a nearby harbor, but on a treasure hunt for a mythical submarine lost almost forty years ago, somewhere in the open Bering Sea surrounding the islands. The seas are amongst the meanest in the world, and unnamed volcanoes smolder, ready to explode on every island. Eric blanches at the very thought of searching in such a place with practically nothing to go on. It is illogic as all hell to his scientist mind, but Naomi's flashing eyes, and utter determinism, cause Eric to pause long enough to realize he must lead the incredulous search, or forever live with the dull ache within him about who he had become.

But Eric is severely handicapped. His crew and equipment are worse than third-rate to the shiny RV Meditteranean, cruising the waters nearby and looking for the same submarine. When failure becomes their only option, Eric cannot bear to look into Naomi's teary eyes, nor into his soul. Preparing to return to port, Eric learns from a crazed crew member, Frankie, of the massive tidal wave, or tsunami, that destroyed the Scotch Cap Lighthouse in 1946, on nearby Unimak Island, a place of eternal volcanic violence known as the "Roof of Hell", Eric forms a theory, just as crazy as Frankie himself, about what happened to that sub, but they must race into the waters next to the surging Mount Shishaldin, now belching ash high into the sky, to prove his theory, and then escape before the eruption obliterates everything around it, including them.

They discover the horrific truth about what happened to that renegade Japanese submarine and the men aboard, and with the discovery, Naomi learns the truth of something she had refused to believe for so many years; and Eric discovers a surprising answer to his personal crisis... but not before the Roof of Hell traps them in a maelstrom of unimaginable violence.


Praise for ROOF OF HELL

"Join Eric, a corporate scientist, as he embarks on a treasure hunt for his client, Naomi. Naomi hires Eric to help her find the treasures that are a part of her family's heritage. These treasures are said to be on a sunken Japanese submarine for WWII. In order to recover the treasures they must enter a island known as 'The Roof of Hell'.

"As they embark on their adventurous trip out to sea they are completely unaware of all the events and violence that will occur.

"I loved both the main characters' (Eric and Naomi) in this adventurous book. They come to life on paper. You will feel and experience their emotions throughout the entire book. In addition, you will begin reading 'The Roof of Hell', and you will find yourself not being able to put it down. Each chapter ends making you want to go to the next to find out what will happen next between Eric, Naomi, and their adventure.

"'The Roof of Hell' was a wonderful and unforgettable read! This is one that will stay with you even after you have put the book down. One you will probably want to pick up and read again and again."

    Reviewed By: Misti Jackson, Author & Reviewer at http://www.geocities.com/illinoiswriterus/


About the Author

Roger Alidade has worked as a geophysicist for a major corporation for over twenty years. His hobbies include reading, golf and exploring the earth.

Roger can be reached via telephone at 832-444-7725.

He is listed at


Sample Excerpts or Table of Contents

CHAPTER 2

"All right, all right," Frank said calmly, almost commandingly. "Let's not come to blows here. Why don't I go check the graph now, okay? If there have been real tremors, you guys can blow this island before it gets too late." He glanced up at the window towards the nearest volcano, Pogromni. "Besides, I don't see any plumes. And, there's still more'n four hours or so of good light."

The others looked around the table and shrugged at one another. It sounded like a reasonable plan to them.

"While I'm doing that, why don't you fire up the grill again. I'm hungry already for more of those steaks."

"Stop worrying about your damned steaks," Bob said as he tried keep his hands steady to light a cigarette. "Just cook 'em the way I like 'em and I won't worry about a thing," Frank joked as he reached for his jacket and left the room heading for the concrete bunker on top of the nearest hill.

Half way up the pathway, the earth jumped under Frank's feet, knocking him to his knees. "Damn," he said, rising back to his feet. He looked around but there were no indications that the sky was falling. He broke into a run. He had to see what the instruments were showing. If it looked like there was going to be a real problem, he wanted to get the hell off the island along with the others.

Frank pushed open the heavy metal door to the bunker and then slammed it behind him. Without bothering to take off his gloves, he hurried to the seismograph. He gasped for air.

Frank studied the chart wide-eyed. The needle had just pegged out a minute earlier. Suddenly it swung wildly and rapidly side to side across the paper. "What the hell -" he began, but he was cut short by a roaring sound unlike any he'd ever heard before. The needle moved faster screeching like knives slashing though silk. The floor trembled. Frank staggered back and lost his balance. He fell backward onto the concrete floor.

He struggled back onto his feet. When he did, he braced himself against the wall of the bunker and drove himself forward until he was at the thick plate window that overlooked the lighthouse and the sea.

There was no water in Unimak Pass!

"My God!" he cried out.

Then he saw it. The bulge in the distant waters. The bulge was growing! It soon became a wall of water, continuing to rise up as if gravity had been reversed, rise up in a way that he could not imagine. It wouldn't stop! A frothy white line formed at the crest. The wall of water was huge now . . . and it glowed. Frank leaned forward, gaping.

It was coming right for them! He screamed at Tommy and the others below, "Look out!" but his voice just echoed within the bunker. He screamed again, then stopped.

The wind rushing over the top of the monster wave, made a high-pitched freight train whistle that came right through the thick glass, filling Frank with a bone-deep terror. The wave rose impossibly higher, dwarfing the lighthouse.

Frank squinted his eyes in disbelief. In the hellish wave, he saw the babies he'd been sketching in his sketchpad, dancing. Dancing on a submarine. The Japanese baby girl and the baby boy. Hand in hand. Dancing. Mocking him. Laughing at him.

"Bastards!" he cried out at them. "Bastards!"

What happened next seemed to happen in horrifyingly slow motion to Frank. The wall of the huge wave swept completely over the lighthouse below him. Then, frothing and roiling, it continued to rush across the island, slamming into the hill and exploding up toward the bunker.

"Lord Christ!" he screamed as the water churned up and against the window, crashing it inward. He toppled backward hitting his head on the concrete. Frigid seawater poured over him.

When he came to, later, most of the water in the room had receded. His head throbbed. He shivered inside his wet clothes. He suddenly recalled what had happened, rose unsteadily to his feet, and slogged to the door and yanked it open.

The seas had returned to Unimak Pass. But ... There was no lighthouse! Nothing!

Frank slowly slumped to the floor of the doorframe. His lips trembled. "No," he moaned. "No ..."

The men were gone!

The cards ... the steaks ... all gone!

He stared at the now calm sea. He tried to figure it out once again. Suddenly he gripped his shaking hands together, shaking so hard his body shook. And it came back. His face contorted into a twisted mask of absolute horror, but not at the scene below.

CHAPTER 31

Naomi remained still for a moment after Eric had rushed from her room. Despite the alcohol on his breath, the feel of his kiss lingered on her lips. She brought her fingertips to them and touched them lightly. Then, realizing what might be at stake, she hurriedly dressed and went to find the cook.

Eric left Naomi's room and went directly to the hold. The captain and Frankie were no longer there. The hovering stench of alcohol remained however. He flicked on the lights. He shook his head, trying to clear it so he could think.

"Come on, Eric," he urged himself. "Focus!" He moved the worktable to the side of the room. Then he took each of the side scan strips and laid them carefully on the floor, piecing the strips together like parts of a puzzle. A large mosaic-like picture of the ocean's floor emerged. There were gaps between the areas they had concentrated their surveys. He stood up and stared at it.

Even as a larger picture, it still seemed as featureless as it had when each of the strips were originally printed. He recognized all the main features, their ship with ordinance, the channels, the boulders, and the largely featureless seafloor elsewhere. He noted the randomly marked, isolated sharp features, mostly ten feet long or smaller. The same ones he had transferred to his overlay.

"Damn," Eric sighed to himself. He'd had a nagging suspicion for days that those isolated little blips meant something. "If my theory is true, there should be a pattern." There's always a pattern.

He stepped back. Then he stepped closer. Under the fluorescent light in the hold, the more he stared at the picture, the more little things seemed to jump out at him.

But then, when he leaned closer - even getting down on his knees and bringing his face almost to the strip - the pattern he thought he'd seen seemed to disappear.

But then, from another angle, the pattern would return, but weak.

In desperation, he reached for a red pen and, one by one, circled more of the small, erratic features as they appeared to him. Now he included every little blip in the mosaic. Every shadow that showed on the strip, indicating that there was something standing up from the seabed. Everything that gave the appearance of an unnatural feature. Even the "ghost" features that seemed to appear from one angle but not another.

After he had circled a number of these features, he got up from his knees and stood back.

"Goddammit!" he seethed. The markings all looked so random. He began to feel a dull, aching pain in the back of his head, accompanied by a raw gnawing in his belly.

"Where the hell is that coffee?" he muttered. He put his hands on his hips and stepped back from the strips. Then he moved closer. He got down on his belly and re-examined closely some of the features he'd circled. Then he got up and backed away from the picture as far as the door of the hold. "There's got to be a pattern," Eric muttered. He got lower and lower, staring across the greatly foreshortened seafloor. This was an old interpreter's trick, used before computers took over from paper. A trick he had learned from Harry at IMC. IMC used to keep a special "squeeze" camera, one of only two like it in the country to rescale seismic records in one dimension only, photographically. It greatly improved the correlation of features, like channels and faults, across the squeezed dimension. Things that were impossible to connect looking head on would jump out at you when squeezed. He didn't recall anyone doing that for maps.

First he worked the east end of the strips, slowly, then the west. Finally he crawled on hands and knees, butt in the air, right cheekbone to the cold metal floor, along the south side of the mosaic. "Holy shit," he whispered, beginning to see something. "Holy shit!" He closed his eyes to push back his headache, willing in his mind for the pattern to still be there when he opened them, and not be the result of his drinking. When he looked again, the pattern he'd seen, that he expected to see, remained.

"Holy shit!"

Many of the red circles he'd drawn formed distinct lines that radiated in a way that brought them into intersection in an area just south of the last area that he'd surveyed.

He went over to the nautical map and with a deft, sure hand and ruler, quickly sketched in the lines.

"Voila!"

Every line intersected precisely at a point just north of Ugamak Island.

CHAPTER 34

Eric was out of options. "Go!" he yelled. Naomi and Eric shouldered the wounded Captain and followed Frankie in the dim light. The smoke became thick again. Everyone coughed and choked. Eyes burned.

Dammit, don't listen to him! He's delusional again." The Captain gurgled, speaking for the first time in hours. Eric ignored him.

"Hurry!" Eric shouted, as he and Naomi half dragged the Captain along.

Miraculously, in minutes, a squat military bunker, with a single low door, appeared that Frankie seemed to find effortlessly.

They paused. Eric shouted, "Naomi, you go in first." Naomi flopped onto her belly, and squeezed through in her rubbery suit.

Eric started to help lift the Captain. Frankie waved him off.

"You go in next, so you can pull the Captain through." Frankie spoke firmly. Eric looked at Frankie and started to argue, but Frankie wouldn't look back at him.

There was no time to argue. It made sense. Eric leaped into the doorway. His heart raced in fear when he became stuck. Naomi grabbed his arms and pulled with grunts while he twisted and turned. He finally popped into the dark interior.

Outside, O'Shay pushed Frankie's hands away. "No time, old boy. "We have to make sure that door stays closed. He kicked a rusty bolt at Frankie. "Batten down the hatches," he ordered, gasping heavily with the effort.

Without hesitation, Frankie slammed the heavy metal door closed and, with a calm left hand, jammed in the bolt. Eric scampered to the tiny viewing slit near the top of the bunker's steel door and looked out. "What the hell are you doing?" he demanded as he pushed on the door.

"Taking care of you." Frankie retorted. He then stared real hard at Eric. Eric couldn't see into the dark spaces under Frankie's brows. But he could see that Frankie appeared completely calm. And sane.

"Now take care of her," Frankie gently urged, not moving his gaze from Eric.

Then he stiffened his spine, backed up a step and spoke, "Captain Frank McDermitt, U.S. Army, Special Operations." and saluted smartly.

Eric stared blankly, dumbly at Frankie. Frankie suddenly flashed his toothy grin back at Eric, and spoke a final time, "You know, Frank is not such a bad name for a baby boy."

Then Frank turned and walked away from the window. Eric watched in horror at what Frankie and the captain had committed to.

Frankie leaned over to help the Captain up. They shuffled away from the bunker.

Eric turned and looked at Naomi in the dimmest of light. She was standing, very still in her survival suit, pressed against the wall and staring back at him.

Eric turned back to the slit and screamed. "Frankie! Captain!" He pressed his shoulder into the door. He had to help them! It wouldn't budge. He cried out again. But his voice suddenly drowned in a whistling sound like nothing he had ever heard before. He stopped yelling and listened to the eerie ghostly sound. The last time an unknown sound had created such a fear in him was the first time he heard a rattler in the hayloft when he was seven. This was much worse. He slammed the tiny porthole shut and threw the latch, which surprisingly still worked.

"What now?" Naomi's voice trembled.

"I don't know," he admitted. "I don't know."


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