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Cairns & Basins

by Ryan Kuhn

87 pages; quality trade paperback (softcover); catalogue #02-1179; ISBN 1-55395-464-5; US$14.50, C$17.99, EUR11.70, £8.20

This collection grew out of the time spent in the damp, specatcular and mythical landscape of British Columbia's mid-coast. The poems in Cairns and Basins are meditative; the place itself is the destination- the poetry is the getting there.


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about the book      about the author      sample excerpts or Table of Contents      catalogue info

About the Book

Cairns & Basins is a walking poem. It was written over a three-year period while living in the remote Bella Coola Valley on the mid-coast of British Columbia. Rugged mountains, rivers and people - all of these made for a series of poems brash in form and content.

"Topographical" is likely the best way to view these poems. There are two forms, cairns and basins, and each is crafted in the way my mind travels the landscape.

The cairn form evolved out of many years of influences, travel, trials and error. They are comprised of word-markers, stones placed on the switchbacks of the mind. The stanzas are turning points that do not lead, but let you know you're on the way. The words resonate in stumbling, deliberate and often echoic cadence as one will traversing mountains and valleys. They are the way I went as I searched a familiar yet obscure landscape of ferns and granite, grizzlies and salt water.

Basins are a vessel and a valley. They are the free-flowing container of impressions that pour out into a final, poetic drip. Closer to the gardens, hearths and pubs, they are where we dwell with family and friends. From there we set out, and again return.


About the Author

Ryan Kuhn is a journalist, writer and photographer currently living in Golden, British Columbia, with his wife Nicola and his dauther, Samara. Originally from Orgeon, Ryan came to B.C. in 1995, and shortly after moved for a period of three years to Bella Coola on the province's remote mid-coast. This collection grew out of the time spent in that damp, spectacular and mythical landscape. The poems in Cairns & Basins are meditative; the place itself is the destination - the poetry is in the getting there. His work has appeared in regional and national magazines, both in print and on the Web. This is his second collection of poems.


Sample Excerpts

TO SET OUT WITH

Word arrow
released with aim
on the bow of
breath, I
Rexhale, release-
obsidian edge
maple straight
feather flight-
the finger should
do nothing more
than get out of
the way
Breathing starts
with stone
from up-
valley jack pine along
the Great Road
Rainbow Mountains-
glass rock pressed
flakes in buckskin
ink in pulp
the craftsman
the hunt
from silence
begun
Everything begins
in song-
chest drum beats
under a blanket of flesh
I track and am fast
hunted, searching and searched
for the words allowed
into the circle
one eye on my tongue
Breathing starts
with the tree
on the river's bank
granite stone sits
on the bed-
water wheel
carve round
what grows
inside out
a notch
at each end
binds the air
What is the object
of the goal-
to set out with
out aim
roll the foot
on its side silent
through alder leaves, mist
from the mouth searching
for a trail
of tracks
Breathing starts
with the wind that makes
the wing-
a thin star
guides the moon
on the horizon
an arrow's path
of bird's flight
The first song
a dream
of my grandmother
Clearwater Falls
into the Umpqua-
Illahee
nika moosum nanitch
Sahalie Tyee-

a small bundle of tobacco
An arrow shot
straight into the sky
hovers
and falls back
hitting the mark-
that is all
the explanation
that can be offered
It is not the hand
it is not the stone
it is not the tree
it is not the bird-
the kill is none of these
the kill is all of these
Of these
the song
and name
cannot be
sung
the name
we cannot call
ourselves-
the kill
ourselves
the name

Faint tracks in a clay turned to stone;
it will take awhile


180,S

Into where we find ourselves, a memory laid upon those who contain, anytime it arises, a hint, scent or seashell - gardens do this early in the morning especially, goldfish in a rock pond, but we're not our self the tenancy - cairns cannot hold some, how clouds twist the circumference, travel a stone's throw in ripple's unravel - intent on the way ashes and dust melt in rivers, or one childhood I reckon was what is of her faded into me, polished memories, water and bones -
Clearwater Falls
up along Hwy. 38
vine maples change
into a coastal spring
on Umpqua River
Ump-se-quah (the other side)
where your urn's lid tipped
and I go on with
this emptying


BRUSH POINT

Late spring snow
anonymous
black-hooded
chestnut chickadees
gather and flee
among cedars-
cars leave
to town
the hollow
space where daily
tracks of ritual
ice scraping
circumambulated
remains
Recollection rehash
yesterday how
one rendered
eyes of the sun-
Moon Face
mirror of:
-'how do you do it?'
-'that is my art'
East winds hold
still the lakes, move
weather to sea
and the affects of trees-
how thoughts
send seeds into
this flow
as if they were
even something
less actual
Painting
the hunter's silhouette
arms outstretched
like an eagle
prays
through himself-
wolf below
raven above
him-
negative space, a
universe
all the more
or less
In town down
by Bentinck Arm
to the Pacific
delta widens
blows open
boats rocking in their slips
across from
the hollow cannery
once was
little China Town
over there
opium pipes
among the cinders
under white
It is a quality of the past
how to paint snow
alone it is to be
and poor
as ancestors
journeyed like a season
overland-
what stays in me
empty as a brush stroke
withheld
and gives
a fullness to be
here, as always
This estuary
throughout
pilings stand
some things
remain-
the pattern
in which
a fingernail
grows
after death
'It is your center
your chi'
he says-
precision is not
a compromise
of inspiration:
whatever comes
or to which you arrive
like R.G.'s
'All we saw was
Where there was to go
Not where we'd never get'
Lu Tzu said
'The country which is nowhere is the real home'

no      where
now      here

on the edge of this
sea and stone
language lapping
to its thinnest
brush-point


Catalogue Information




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