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Village of the Heart

by Barbara Sala

38 pages; Saddle stitched; catalogue #07-2040; ISBN 1-4251-4751-8; US$18.26, C$18.26, EUR12.47, £9.43

Searching for her parents in a fire storm, Tipheret is assisted by a talking stick, a kettle, toy houses, and the Loving Heart. An enigmatic tale, dramatically illustrated with the author's colourful naïve paintings.

About the Book

The house of Tipheret's parents has been destroyed by the wicked Fire Dragon. The inhabitants of the Village of the Heart have all escaped into Tipheret's toybox. Tipheret is the only survivor.

Assisted by her father's copper talking stick, her mother's iron kettle and her cherished toy houses, Tipheret sets out on a dramatic journey of discovery and transformation, where she encounters Trust, Hope, Perseverance and the Power of Love.

During her sleep she is taken care of by the wonderful and generous "Snigglee" spirits, who inspire her to meet the Loving Heart which is her guide and inner voice.

This tale is for all children between the ages of 6 and 9 years. The author's colourful "naïve" paintings are essential to the story and speak eloquently for themselves.

Reviews

One of the benefits of this story is the message of Hope and never giving up that it brings to the reader. The fact that Tipheret continues to search for her parents even if she is alone and afraid, brings out the message that even if something is not easy and you are scared you must never give up on your dreams. This is a positive message for youngsters of all ages.

Another message it touches upon is, of course, that of LOVE. The message that LOVE conquers all evil. How the brightness of the sun pushes away the darkness, again a message of HOPE.

Another theme is TRUST. The trust Tipheret had to have towards the MOST LOVING HEART and believe that this voice was telling here the truth and leading her closer to her parents; such as the TRUST she had to have towards the copper talking stick.

What makes the book special is the Village of the Heart idea, symbolic of love. THE MOST LOVING HEART, and the care and love of the "Snigglee" spirits, are again all about love.

I think that if the readers do not read this book they will lose three important messages that of HOPE, TRUST and the power of LOVE.

I would recommend this book for all students of the elementary cycles. I would simplify the vocabulary if I was reading it to Kindergarten students and the images would have to play a significant role in delivering the message of the story. Even students in the older grades of the elementary cycle could relate to the messages of HOPE, TRUST AND LOVE found in the story.

Tipheret the protagonist in the story is an endearing character. The "Snigglees", are adorable little people and the MOST LOVING HEART sounds very maternal/paternal.

Patrizia Ciccarelli
Vice-Principal and teacher

After a wicked fire dragon burns down the village where she lives, Tipheret starts out on a long and lonely journey to find her missing parents. Armed with a talking stick, an iron kettle and her beloved toy houses, she discovers the magic and the mystery of love. An enigmatic tale, beautifully illustrated. A symbolic journey of the heart.

Christina Manolescu
Author

Barbara Sala's "naive" paintings delve into the deepest spiritual and emotional transformations of our time. How do we cope with a world apparently gone mad with violence and anger? Tipheret's journey shows us that the answers lie within ourselves, and our capacity for love and hope.

Ann Diamond
Author

I think that this new tale, like Celestine and the Magical Geranium, carries a positive philosophy in these times of crisis where multi headed dragons turn into ashes so many lives. Indeed, only confidence in love allows us to survive, to continue building our "village of love" and bequeath it to our children. Illustrations are, of course, always as beautiful and poetic.

Elaine Audet — publisher, writer and poet
www.sisyphe.org

About the Author

Barbara Sala was born in 1937 and grew up in the Bavarian Alps. She left home to learn English and French. She became a secretary and found employment with the United Nations in the Congo. There she met her husband, gave birth to her son and daughter and escaped from the Congolese turmoils in 1967. After two more assignments with the UN in the Dominican Republic and Guyana, the family emigrated to Canada, Montreal in 1974. Here she worked as a real estate agent while raising her children. After a mid-life crisis in the late 70s she started painting and never stopped doing so.

Barbara Sala belongs to the visionary types of naive (primitive) painters, who tell themselves fairy tales on canvas. Essentially self-taught, she fills her canvases with people and animals together with magical and mystical symbols. Her brightly coloured works aim to evoke a time of innocence and childlike wonder. Since 1985 she has participated in many group and solo exhibitions in Canada and abroad. Gina Gallery (Gallery of International Naïve Art) in Tel Aviv and New York (www.ginagallery.com) and Galerie Arte Bella in Montreal (www.artebellacrescent.com) are carrying Barbara Sala's paintings.

Barbara Sala has published her first children's book Celestine and the Magical Geranium as well with Trafford Publishing:

English www.trafford.com/03-2283
French www.trafford.com/06-0395

Excerpts