The CC Substitute

Pittsol's Cross Curricula Focus Lessons for K-8 Substitute Teachers

by William Picl


Formats

Softcover
$17.50
Softcover
$17.50

Book Details

Language : English
Publication Date : 11/27/2008

Format : Softcover
Dimensions : 8.25x10.75
Page Count : 164
ISBN : 9781412074193

About the Book

Everything about the book can be found in the Preface and Introduction in this website. Please read them carefully.

This is a book that can make a difference no matter what size school district. If a big city sub administrator were to ask, "How can a single sub using a single book make a difference in my district?" I suggest look at the math. One sub in real time, traveling to different schools three or more days per week can easily reach out, using this book, and touch the minds of many hundreds of students in a matter of weeks. Then, think what ten subs using this book can do over an entire school year. Better enrichment, better teaching by the substitutes, and more and better learning by the students: a complete win-win situation.

Customer Review from Amazon

Verbatim Lessons from a Veteran, August 20, 2008
By: onlittlecatfeet

This review is from: The CC Substitute: Pittsol's Cross Curricula Focus Lessons for K-8 Substitute Teachers (Paperback)

As a former substitute teacher, I wish I would have had a copy of The CC Substitute in my ever-ready bag of sub supplies. There seems to be a dearth of good resources out there for subs, and this book helps to fill that gap.

The CC Sub isn't revolutionary - instead, it contains thirty chapters of Pittsol's tried-and-true verbatim lessons, on topics ranging from career development to algebra. As a source of lesson ideas and examples of how they play out orally, the book is very helpful. Most of the chapters are less interactive and focus more on the teacher's own monologue. As a caveat, Mr. Pittsol's dynamic personality may have fostered his subbing success just as effectively as the words he actually used. For teachers with a less commanding classroom presence, these lessons may provide too few interactive opportunities to keep students interested. However, the book still showcases many interesting lesson ideas, and more dynamic, captivating teachers may find them easy to implement as transitional activities or springboards for further exploration of any of the many topics the book addresses.

The CC Substitute is a fun, engrossing read. Without a doubt, it is a good source of lesson topics, and it may inspire the reader to present lessons in new, more attention-holding ways.

Contents


List of Illustrations

Preface: Please see the Free Preview section

Introduction to the Minis for Substitute Teachers How and When to Use: See Free Preview

  • I. Lessons for Lower/Middle Grades

    1. Things to Show
    2. Moneda - Coins and Math
    3. Beginning Consonant Blends
    4. Contractions
    5. Cursive Writing
    6. Bilingual Sentence Fun
    7. Dictation
    8. Homonyms
    9. Interrogatives
    10. Irregular Verbs
    11. Opposites
    12. Past Tense of Regular Verbs
    13. Personal Pronouns
    14. Vowel Sounds
    15. Mañana

    II. Lessons for Lower Math

    1. Origins of Math
    2. Big Math
    3. Long Division
    4. Mental Math


    III. Lessons for Upper Math

    1. Fractions I and II
    2. Fractions III and IV
    3. Fractions V and VI


    IV. Lessons for Upper Grades

    1. Banking
    2. Story Writing
    3. Darwin and The Law of Natural Selection
    4. After High School: 'The Big 6'
    5. The Apartment Puzzle

    V. Other Lessons

    1. 'How are You' - The Story of Languages
    2. Jeopardy
    3. Build a Story
    4. The Psychology of Roles: Please see the About the Author section
    5. Taxi
    6. Time Capsule
    7. Art
    8. Gym
    9. Music
    10. Special Education


    Epilogue

    Appendices

    Appendix 1 Contractions List
    Appendix 2 Homonyms List
    Appendix 3 Irregular Verbs List
    Appendix 4 Opposites List
    Appendix 5 Past Tense Regular Verbs List
    Appendix 6 Jeopardy List


  • About the Author

    Bill Picl was born and raised in central Illinois. At the age of fifteen he moved overseas with his family to Brussels, Belgium. For the next three years, he travelled far and wide to over a dozen countries - France to Germany, Denmark to Italy, at times veering far off the beaten track. He brought to substitute teaching a well-honed appreciation for the variety life offers, waiting by the phone early every morning for the call from the sub center to report to a new school, in a new neighborhood, with new students and new challenges to be met.

    He has a B.S. in history from Bradley University and now resides in east central Illinois. Of his time as a substitute teacher in Chicago he simply says, "It was the best job I ever had."

    The Psychology of Roles


    I’ve found this lesson to be useful when I am having a problem getting a large class of thirty to thirty-five fifth, six, or seventh graders to settle down at key points during the day. This mini gets their attention quickly, sustains it, and gets them to thinking about some new and interesting concepts of behavior and psychology. Here’s how I introduce it.

    “Alright kids, we’re getting nowhere, so I’m going to talk to you about some new stuff that you’ve never heard of before, stuff you need to know. Put all your books away, and let me have your attention please.” Wait for them to get reasonably settled.

    “Kids, I don’t like to yell at you. I know at your age sometimes it’s hard to sit still. Your bodies are growing at a rapid rate, undergoing important changes. In a short while, you will no longer be considered children, but rather young adults, and that’s great. You are in a period of change called puberty.” At this point, the kids usually quiet down, expecting some sort of little sex education chat. Not quite.

    “But there’s something else going on inside of you that many of you don’t know about. It’s called adolescence, and it relates to your mind, not body. Adolescence is the phase of life when gradually the mind of a child changes into that of an adult. It’s not just that you quit believing in Santa Claus. It’s the formation of your adult personality. What do I mean by personality? Personality is the complete collection of a person’s behavior, in public and when alone. Their habits, character, emotions, attitudes about themselves, attitudes toward other people, attitudes about life itself. Even their most private thoughts.

    “Every single person in the world has a distinctly different personality, and that’s for sure. There’s always a never-ending kaleidoscope of combinations of personality traits. But what causes one person to be one way, and the next person, another? Actually, it’s not fully understood even by the experts, but most agree that it has a lot to do with your family life when you were quite young. Some also believe that in early adolescence, without even thinking, boys and girls will try out different behaviors, called roles, which then, according to how well they work, slowly come together at some future point into a final adult personality. This becomes a part of us, in all situations, for the rest of our lives. All of you are in the roles stage right now, whether you know it or not.

    “For example amongst a group of adolescents, there’s always the

    CLASS CLOWN – the student, usually a boy, who craves attention. Always telling jokes, playing pranks on others, anything to get attention. Who’s the class clown in this class?” I can almost guarantee that you will have their undivided attention by this point. Here, usually without hesitation and with a lot of zingers, fingers will point at one boy.

    “Okay, now who’s the

    CLASS BRAIN – the guy or girl who always knows the right answers, does math problems in their sleep, is married to the calculator?” With all of these, wait for the identification, then wait for the excitement and teasing to subside, then go on to the next.

    “Okay, now who’s the

    CLASS JOCK – The guy who might say ‘Hey, none of that school stuff matters, let’s go out and play some football and soccer, then lift some weights, then run around the block ten times before we go home to sleep?” Again, with some hooting, hollering, and wisecracking there will be an almost instant identification of someone.

    At this point, throw in the first curve: “Kids, you need to realize it’s never really that simple. A person is never one-dimensional. Almost everyone is a subtle combination of many types, for example, a brainy jock.

    “Now, who’s the

    CLASS ROMEO – the macho Mr. Hollywood Handsome, muy guapo, Casanova, Don Juan, has all the girls begging at his feet, or at least likes to think he does?

    “Now, who’s the

    CLASS BEAUTY QUEEN – the Miss Hollywood, Marilyn Monroe, Madonna, con mucho egoisma, ‘Don’t look at me without permission, !sin permiso!’?

    “Okay, we’re not done yet. Who’s the

    CLASS INTROVERT – the very shy one’ ‘Please don’t look at me or ask me to say anything, I just want to be left alone!’?” This student, too, will be instantly pinned, and it usually helps to get them to laugh at themselves. In fact, that’s one general point of the entire exercise for everyone – a new understanding but with some humor.

    “Okay, who’s the

    CLASS HOOD – The bully, “Grades don’t count, even sports are for suckers. I’m bad, I’m tough, and I’m ready for action!’! This, too, will bring instant identification, and get the budding gangsta to laugh at himself.

    By this time, you will have achieved your objective – to help the kids for the first time see themselves and each other in a new light. Go on to explain that in some situations we need to go ‘outside’ our basic personality. For example, a shy person is not going to get a raise if they go in to their boss, stare at their shoes, and mumble. Sometimes being assertive is the only way to get what you want.

    Finally, I’ve extended this mini into a little theater lesson a few times, with good results. I ask a girl volunteer to play the part of the egotistical Miss Hollywood. She sits on the edge of the teacher’s desk, in front of the class, silently examining her fingernails and adjusting her hair. When the class Romeo enters from the hall and tries to flirt with her, with some appropriate drivel about going for a ride in his car, etc., she disdainfully just makes a derisive snorting sound, lifts her chin, and turns her face away, leaving him standing there feeling like a fool. Same treatment for the class jock, who asks her if she wants to go with him to a basketball game. Then, lo and behold, when the class brain comes up and asks her if she’d like to go to the library, she takes him by the hand and purposely marches out. Let two or three sets of kids try this, and let them improvise their own lines. For some it will be their first acting experience. They will enjoy it.