Perspective

A Driver's Tale

by Peter Kerestur


Formats

Softcover
$23.00
Hardcover
$35.00
Softcover
$23.00

Book Details

Language : English
Publication Date : 10/3/2007

Format : Softcover
Dimensions : 6x9
Page Count : 290
ISBN : 9781425132309
Format : Hardcover
Dimensions : 6x9
Page Count : 290
ISBN : 9781425186180

About the Book

When a common man leaves his house and embarks on his routine ride to his workplace, no more than ten minutes into his trip he is unexpectedly delayed, and his drive becomes a race against time. Is he going to make it on time or not? Locked in a metal box on spinning wheels, racing with time while staying within the restrictions built to ease him of some of the monies he is on his way to make, the protagonist must effectively deal with the situations the drive presents him with. One small mistake, resulting from his fleeting inattention, costs him in the end all the temporal gain he so patiently, and up to then, so expertly though laboriously negotiated, and which promised to beat eventually the initially highly improbable odds to make it on time only to be instantly rewound to no odds with a set of flashing lights, his destination within sight. Perspective (A Driver’s Tale) opens with a scene from a prosecutor’s office, introducing the driver firmly determined to fight his speeding ticket. As this line continues, navigating him through a full traffic court session, his determination to fight the ticket weakening in the process, a second line runs parallel to it, following the kinks and twists, physical as well as philosophical, of his journey that winds him up at court. Will he fight his ticket or will he toe the mark after all? Perspective is a contemporary tale of arbitrary use of the absolute power innocently cloaked in pretentious concern for the public safety in which individuals are summarily taken for stupid chickens. The story chronicles some of the inexhaustible varieties of the forms this abuse of power puts on in full view as well as behind the closed door. The narrative unfolds through scenes alternating between the road and the courthouse, which are interspersed with commentaries, observations, and unorthodox opinions occasioned by a particular event just recounted - some metaphoric, some abstract - and their subject matter ranges from psychological, philosophical, etymological, historical, religious, sociological to plain common sense and cold logic. No punches are ever pulled back, no excuses made, no apologies concocted. Simply stated, the story proper is the space of two hours isolated from the life of a common man per both his experiences, one on the road to his workplace, the other in the court setting. There are only four major characters inhabiting four hours: a driver, a policeman, a prosecutor, and a judge; but they swarm with a myriad of small, incidental characters. Still, not all is said. Far from it. From a composition's perspective, every "chapter" acquires and sustains its own existence and the book can be opened at any page and commenced to be read without losing a beat, yet as a whole each enlarges the rest of the text regardless of their inclusive order. And by the way, most individuals dutifully adopt their roles of a chicken, some relishing in them to the point of utter disgust.


About the Author

Peter Kerestur was born into the first years of the Communist take-over in Czechoslovakia, in Pressburg or modern-day Bratislava, from German ancestry, his German grandfather from mother’s side still alive when he left the country for good. He went through twelve years of school under the full Communist regime, and at the age of seventeen he witnessed the Russian invasion. It was his opportunity to defect, as most of his schoolmates did, but he missed the boat. Instead he only moved from Bratislava, the capital of Slovakia, to Prague, the capital of Czechoslovakia. There he met his pretty wife of more than thirty years and counting, and was among the first signatories of the Charter 77, initiated and perpetuated by the future last President of Czechoslovakia and first of the Czech Republic, the playwright Vaclav Havel. In the same year of 1977, he got married; in 1978, the couple officially immigrated to Austria on the express invitation to all the signatories of the Charter 77 issued by its Chancellor Bruno Kreiski; and in 1979, they landed at JFK. Since then they have lived in New Jersey and Pennsylvania, and have two beautiful children. Peter was born with a congenital defect, which caused him to undergo his first surgery while attending the seventh grade. Because of his still being in a hospital when the finals arrived and went, he was offered to attend the eighth grade only under a condition that he would have to pass the finals for both the years by the end of the eighth year or he would have to go back to the seventh grade, if not. He did it. Two school years in one calendar year. Since on, however, his taste for knowledge is voracious and his love for learning unbound. Nor are the subjects any more limited than their techniques to tackle them. The only “profession” that could accommodate all the above was writing. Add to it the love of freedom. The only problem it encountered was the language to write in. He fell in love with languages and as a man of 25 he was learning and studying seven languages simultaneously. His brain was insatiable. He studied Greek, Latin, English, French, Spanish, German, and Czech, his mother’s tongue being Slovak. Unfortunately, the country was hermetically sealed from the rest of the world and but for Czech all his knowledge was passive. He translated Albert Camus’ Le Mythe de Sisyphe (The Myth of Sisyphus) and L’Homme Révolté (The Rebel) into Czech, though with no aspiration to get ever published, since both the books dealt with heretical subjects, absurdism and nihilism. Within three months before leaving for Austria he learned the whole passive German, which was to become his third language to write in. Yet it was not German, either, that appealed to him the most. It was English. Not unlike Joseph Conrad and Ayn Rand. Erich Fromm, Sigmund Freud, Carl Jung. Rabelais, Molière, Jean Paul Sartre, Simone de Beauvoir. Homer, Sophocles, Plato, Aristotle, Cicero, Seneca, Caesar, Plutarch, Marcus Aurelius. William Shakespeare, John Milton, John Keats, Rudyard Kipling. Herman Melville, Allen Ginsberg, Ezra Pound. Johann Wolfgang Goethe, Friedrich Schiller, Heinrich Böll. Boccaccio, Nicolò Machiavelli, Dante Alighieri. Leo Tolstoy, Feodor Mikhailovich Dostoyevsky, Aleksandr Sergeyevich Pushkin. Peter turned into a bottomless reading pit. Franz Kafka, Karel Čapek. Alexandre Dumas, Stendhal, Gustave Flaubert, Jules Verne, Voltaire. Francis Scott Fitzgerald, Samuel Langhorne Clemens alias Mark Twain, John Steinbeck, Erich Maria Remarque, Ernest Hemingway, James Fenimore Cooper. Henrik Ibsen. Miguel de Cervantes Saavedra. Walt Whitman, James Joyce. Thomas Jefferson, Thomas Paine. The Federalist. John Stuart Mill, William James. Adam Smith, John Maynard Keynes, John Kenneth Galbraith, Thomas Robert Malthus. Arthur Miller. Steven Pinker. Any need to go on? One gets the picture. Nevertheless, all the authors above are related to the literature, one way or an